Why the Sequel Always Wins the Greenlight
Sequels are not a failure of imagination. They are what happens when the cost of being wrong lands on one person and the reward…
Film, television and music, covered as an industry.
Sequels are not a failure of imagination. They are what happens when the cost of being wrong lands on one person and the reward…
Face value is a number written into a contract, not a market price. The gap between the two explains who profits when you check…
Every play pays two copyrights through separate pipes, and most of the money stops somewhere along the way.
John Cena's Mattel toy adaptation drew a No. 1 opening weekend on Apple TV's U.S. movie chart even as critics panned it.
Sorkin's Social Network follow-up took $5.5 million against a budget reported at $30 million to $42 million, a quarter of the…
The window is a price, and the studio that owns the streamer is negotiating with itself.
Bandai Namco's roadmap adds a card game, a worldwide mobile launch, a new manga from Kishimoto and a crossover anime.
The music awards show returned to Los Angeles for the first time since 2017, with major artist comebacks and blockbuster video…
To clear regulatory approval, Paramount agreed to nearly double theatrical releases while the studios consolidate into one.
Advanced negotiations between Paramount and California could resolve a 12-state antitrust suit blocking a major acquisition.
Cregger's Resident Evil ends with a cliffhanger that could drive sequels—if the film performs well at the box office.
ABC holds High Potential for January 2027 midseason launch as part of a concentrated programming strategy with two other major…